Exhibition installation with illuminated specimen display panels
Installation view · exhibition display

A digital museum curated by Edward Wang

Animals, Toxicity & Ways of Knowing Nature

A digital art-science museum exploring how science, perception, classification, art, and literature shape our understanding of animals. Edward planned and built it as a digital work; his work at a university biology museum is described on the Art & Natural History page.

Four handmade portfolio volumes, including Toxicity Archives
The museum grew out of Edward's handmade portfolio volumes — Toxicity Archives among them

Where it began

From handmade volumes to a digital museum

The museum grew out of Edward's handmade volumes — Toxicity Archives among them — and became a digital exhibition in three galleries.

Visit the full digital museumExternal link · opens in a new tab

Three galleries

Three galleries.

Hand-drawn serpent coiled around an obelisk, its hood ringed with hieroglyph-like marks
The serpent & the obelisk · myth in ink

Gallery 01

Toxicity Archives: Myth, Molecules & Medicine

Four toxic species traced from cultural symbolism to molecular mechanisms, placing myth, medicine, and scientific explanation in conversation.

A short trailer for the digital museum experience

Gallery 02

Seeing Toxicity: Nerves, Blood & Cells

This VR artwork translates toxin effects on nerves, blood, and cells into flashes, ink diffusion, and melting edges, making otherwise invisible harm perceptible. It is an artistic translation of toxicity, not a medically validated simulation.

Hand-drawn exhibition design sketch showing the Toxicity Archives gallery in two versions
From sketch to space · mapping the gallery

Gallery 03

Mapping the Beast: Taxonomy, Myth & Power

By juxtaposing altars and laboratories, this gallery asks how classification and naming shape the authority humans claim over animals.

The galleries are best experienced in the museum itself.